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Oasis Live in Milan (30 Oct 2005)
The Pink Floyd Experience: A Meli's Essay (Sept. 2005)
Coldplay's X&Y review (June 2005)
Oasis's "Don't Believe The Truth" (May2005)
Sahara Hotnights Kiss And Tell (July 2004)
Travis 12 Memories and Live gig (By Henry) (Nov 2003)
Bruce Springsteen Live Experience (Sept 2003)
Siamese Dream (April 2003)
Zwan...Honestly great (Feb. 2003)
The Soundtrack Of Our Lives (Jan 2003)
Contact Me
The Soundtrack Of Our Lives (Jan 2003)

New bands are always tipped to be "The Next Big Thing"
Fact is.. this time it could really be.
By Micke

In a time when swedish rock music has found its praise across the ocean in the Uk, and mostly in America, I think it is only fair that I write a bit about one of those rock bands that have broken through over there and across Europe.
The Soundtrack Of Our Lives.
A band formed in 1995 in Goteborg (Gothenburg). The second most important music town after Umea. Stockholm has never been the place to find swedish music in by the way.
Even though the bricks were layed way before 1995, in the shape of the band called Union Carbide Productions. That band was consisting of some of the members that would form TSOOL. UCP claimed a fairly good reputation and are always found on lists over greatest swedish rock bands. America was in love with them as well. Which could be a ground stone in why TSOOL has been so successful over there as well.
After four albums UCP was no more and after a couple of years Bjorn Olsson, who had left UCP after two albums, called Ebbot Lundberg and asked if maybe they should form a band.
Ebbot was just about to have a long rest, walk the mountains and sail the seas, but the love for music was too strong and he said yes.
After leaving UCP, Bjorn had demoed alot of songs and those were now the ground parts in the new sounds that Ebbot and him started to shape and create.
They recruited Ian, guitarist, from UCP as well and Martin Hederos, keyboards, Fredrik Sandsten, drums, and Kalle Gustafsson, bass, from other crashed bands.
In 1996 they released a Vinyl and an EP and they got a record deal and released their first album, Welcome To The Infant Freebase. It took Sweden with a storm. It was just a matter of time until people understood the although brutal, but incredibly beautiful rock that TSOOL was making.
Even though at first TSOOL wanted to release a CD Box Set, due to all the songs they had recorded, around 70, but the record label refused. So they said they wanted to release a double cd and be the first band in the world to debut with a double cd, but again the record label refused. So sadly(?) it just became a single cd. But what a cd it was.
It still contained 20 songs. From ballads to all and out punk rock songs.
A total success and confirmed that Swedish rock could still produce some fantastic music.
After a succesful winter the tensions in the band became too big and Bjorn left the band, again so to speak.
A new guitarist, Mattias Bjared from Hederos old band joined just before the whole band would crack and TSOOL managed to live on.
In the start of 1997 TSOOL made their first attempt on England. They played some rather praised gigs alongside Hurricane #1.
Later in the year the follow up album was recorded.
Extended Revelation (For the Psychic Weaklings of the Western Civilation) was released and it didn't become as big of a hit as expected. The sound was calmer and more psychedelic. A lot of stuff that didn't make it on the first album was put on this instead.
Right before the release TSOOL had been in England again, this time as the support band for Kula Shaker.
In spring of 1998 the real England focusing started. With the relase of the album and a tour the english press became lyrical and swarmed around TSOOL. In Sweden the hype was starting to be put on a high but 'calm' level which came to a very anti climatix end of the year when the Swedish Grammy Awards nominated TSOOL for the best Heavy Metal Band. Which as Ebbot said "They could have nominated us for the Nobel Prize for Chemistry and it would have been the same". It was a total disgrace and a big stir in the press. Luckely TSOOL didn't win.
During the summer of 1999 they toured Europe as the support band for the Cardigans.
So finally, after a calm time in Sweden, when TSOOL mostly concentrated on their abroad 'needs', Behind The Music was released in early 2001. Even though not as strong as their debut it became a huge hit in Sweden. They toured and got known as one of the best live bands. (Even though they had been that for many years.)
And again it was time to focus on the abroad market. The help would come from a very unexpected side. Noel Gallagher and Oasis.
But with consisting touring and big dreams of becoming as big as their heroes they finally broke through for definite in the summer of 2002. Even though they got alot of hype before, the tour with Oasis was the final touch.
And now this upcoming spring of 2003 The Soundtrack Of Our Lives are set to crack America for sure. With tv apperances and a massive US Tour coming up all is set to be the King Road that TSOOL have always wanted from the start.
Make as many people as possible hear their fabolous rock music.

So a bit of a personal view then on what TSOOL has made so far.
I am still slightly surprised that Behind The Music became TSOOL's break through across the world, because their debut album is just so much better. Not saying BTM is a bad piece of work, cos it is not. With songs like Sister Surround and Tonight it is quite hard to fail.
But Welcome To the Infant Freebase is just so much more.
It is the album which defines everything that Soundtrack Of Our Lives always have stood for. A psychedelic and heavier Rolling Stones practically.
It is though a very dark album. It has something hanging over it that is hard to define. Maybe exactly a Soundtrack of our lives and society in the mid 90's. But if you let the album live with you for a while, letting it free to breath alongside you, you finally discover a massive treasure. As mentioned it contains 20 songs so it is a difficult album in that aspect of it too, but underneath it all lays a glittering work. Songs like Instant Repeater '99, Gran Canaria, and foremost the incredible, and top 5 swedish rock songs ever, Firmament Vacation, makes 'Welcome..' to a milestone in rock history.
Extended Revelation (For the Psychic Weaklings of the Western Civilation) is the weakest of TSOOL's albums even though it has that incredible title. Slower and even more darker makes it just a bit too filled with slush. But you can still find the shining diamonds here and there as for example the first single from that album entitled Black Star.
With Soundtrack Of Our Lives touring so much they got more known after a while as the greatest swedish live band. Always putting on a fun and interesting show. With the excentric Ebbot leading the concerts to the heights of course.
When Behind The Music came out the expectations had gone up again due to the live factor. And it is, as I have said earlier, a better work than their second album, but it is slightly too long. A factor that TSOOL always have not taken into consideration. The album has some weak songs which drags down the album but it is a fairly consistent work.
And what is most important, it proves that TSOOL has never been a one hit wonder and that they are here to stay for a long time more. Because what is Sweden when you can have the world?
Firmament Vacation:
"They're gonna build a brand new planet
They're gonna leave for another world
They're gonna build a brand new planet
And leave us all here on our own
Just like they did before
They're gonna build a new dimension
And make a Soundtrack of Our Lives
They're gonna build a new dimension
And drill a hole of the imaginary time
They say we're part of an alien nation
Better run for the Human Race
They say we're part of an alien nation
Believe it when they say that we gotta get out of this place
They're gonna build a brand new planet
They're gonna make it on the other side
Maybe some day you will find it, if you think it worth all of your strife
Moutains made of over-indulgence
And a sea made of heroin
They're gonna build a brand new planet and leave us all here on our own
Just like they did before"
Welcome To the Infant Freebase 1996
1. Mantra slider    
2. Firmament vacation (A soundtrack of our lives)    
3. Underground indian    
4. Chromosome layer    
5. Instant repeater    
6. Embryonic rendezvous    
7. Four ages (Part II)    
8. Grand Canaria    
9. Endless song    
10. Confrontation camp    
11. Blow my cool    
12. Senior breakdown    
13. Bendover babies    
14. The homo habilis blues    
15. For good    
16. Magic muslims    
17. Rest in piece    
18. Retro man    
19. Theme from Hallo    
20. Legend in his own mind

Extended Revelation 1998
1. Regenesis    
2. Psychomantum 2000    
3. Let it come alive    
4. Interstellar inferiority complex    
5. Century child    
6. Safety operation    
7. Impacts and egos    
8. Aqua vera    
9. From gravity to gold    
10. So far    
11. Serpentine age queen    
12. Mega society    
13. Black star    
14. Love song No 3105    
15. Jehovah sunrise    
16. All for sale

Behind The Music 2002
1. Infra riot    
2. Sister surround    
3. In someone elses mind    
4. Mind the gap    
5. Broken imaginary time    
6. 21st century rip off    
7. Tonight    
8. Keep the line movin'    
9. Nevermore    
10. Independent luxury    
11. Ten years ahead    
12. Still aging    
13. In your veins    
14. The flood    
15. Into the next sun

Gran Canaria:
"If you ever let me out
I will be like you
And if you buy another friend
I will feed you too
And if you ever let me fly
I will fly with you
Oh, it's been so long
Please, let me out of here
Please, won't you let me fly out of here
Please, let me fly out of here"

all in these pages is under copyright of the writers.
All opinions are personal, and speech of freedom protect us.
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Buy REAL records and don't steal artists from their right and fair income!
To steal music will soon or later kill music.
Just think about it.